Kal Bashir's 188 phase Hero's Journey (Monomyth) is the templet upon which the huge bulk of successful narratives and Film Industry blockbusters are based upon. In fact, ALL of the 100s of Film Industry movies we have got deconstructed (see uniform resource locator below) are based on this 188+ phase template.
Understanding this templet is a precedence for narrative or screenwriters. This is the templet you must acquire the hang if you are to win in the craft.
[The nomenclature is most often metaphorical and uses to all successful narratives and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hallway (1977) to Godhead of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].
THERE IS ONLY ONE STORY
SITUATIONAL AND STRUCTURAL STORYTELLING
It's important to get away from this thought that all narratives are different.
On a situational degree all narratives are. For example, Gladiator (2000), Alien (1979) and The Godfather (1972) all are situationally very different.
But on a structural and subconscious mind level, they're all the same.
And I don't intend basic structure, like three enactment construction (of course of study narratives have got a beginning, center and end). And I don't intend secret plan points etc either (Plot Point 1 and 2, Center etc).
I mean, sequence by sequence, the huge bulk of successful narratives [we haven't set up one that doesn't] follow the same procedure that forces the Hero and Major Characters through the procedure of Transformation and Challenge Resolution.
What this agency is that you, as a writer, must confidently understand this construction (Kal Bashir's 188+ phase Hero's Journey), usage it to establish your structural lineation and then superimpose your state of affairs over it.
(simply travel to http://www.heros-journey.info/ for full details)
ABRIDGED TIPS, excerpts AND EXAMPLES:
EVERY good hero experiences Type A time period OF DESOLATION
Post the Call to Adventure come ups the Refusal, the Interdictions and the Hawk and Dove arguments etc. Resistance still bes station the meeting with the Supernatural Aid and his or her guidance. This time period of uncertainness and inactiveness is known as a Time Time Period of Devastation and is an intrinsical and expressed portion of successful narratives and screenplays.
The Period of Devastation is actually an extension of the Hero's original State of Frustration. It is the Hero's fate (Dharma) to ship on the Journey, to Transform, to be the Carrier of the Changing. By resisting this destiny, the Hero happens himself (or herself) desolate. This uses whether the Hero is willing or unwilling.
In The Incredibles (2004), Mister Incredible discoveries himself bare and defeated - he is not able to go on in his natural function of SuperHero.
In Star Wars (1977), Saint Luke happens himself looking out at the two suns, longing for alteration and to carry through his destiny.
In Alien (1979), Ripley is de facto bare when Dallas gives Ash authorization over her.