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Friday, October 5, 2007

188 Stage Hero's Journey (Monomyth) - Shape Shifter Conflict, Pushed Out Of The Belly Of The Whale

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Kal Bishop's 188 phase Hero's Journey (Monomyth) is the templet upon which the huge bulk of successful narratives and Film Industry blockbusters are based upon. In fact, ALL of the 100s of Film Industry movies we have got deconstructed (see uniform resource locator below) are based on this 188+ phase template. Understanding this templet is a precedence for narrative or screenwriters. This is the templet you must get the hang if you are to win in the craft.

[The nomenclature is most often metaphorical and uses to all successful narratives and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hallway (1977) to Godhead of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

DETACHMENT AND ATTACHMENT

One overlooked facet of Transformation is Withdrawal and Attachment. The Hero detaches from the Old World and Self and Attaches to the New World and Self.

It would not be wrong to state that every facet of the Hero's Old World is an fond regard to the Old Self and every facet of the New World is an fond regard to the New Self.

It would not be wrong to state that the intent of each phase of the Journey is to Incrementally Detach the Hero from the Old World and Attach him (or her) to the New World.

In Kramer versus Kramer (1979), Teddy Boy detaches from the business office and attaches to Billy.

In The Godfather (1972), Sonny's decease trips Michael's rebirth. Cub is representative of an Old World Attachment that must be disposed off before Michael can be reborn.

(For the Complete 188+ phase Hero's Journey simply travel to http://www.heros-journey.info/ )

ABRIDGED TIPS, excerpts AND EXAMPLES:

*****Shape Sceneshifter Conflict******

Post the Crossing of the Tax Return Threshold and before the Maestro of Two Worlds and Selves, a Hell of a batch haps that is rarely given mention. The Concluding Conflict (a metaphor for this stage) follows a distinct process. One component of this phase is the possible for struggle with the form shifter, who is engaged in a time period of dissonance. In Straw Dogs (1971), Amy won't turn the visible lights off upstairs.

*****Pushed out of the Abdomen of the Whale*****

Pushes and Pulls are an underrated facet of storytelling. Pushes and Pulls military unit the Hero et aluminum from one phase of the journeying to the next. The Hero et aluminum are forced out of the Abdomen of the Whale. In Romancing the Rock (1984), Zolo catches up with Jack and Joan and starts firing. In Butch Cassidy and the Sundance Child (1969), both are pursued by the posse.

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